Vietnam Open Tour News & EventsTien Giang Province, a beautiful and rich area |
Colours of the Lo Lo Ethnic Group |Cloud covered Lung Cu Commune in Dong Van District of Ha Giang Province is Vietnam's northernmost point. The commune has a small hamlet, Lo Lo Chai, with only 81 households and slightly more than 300 people. Seen from the Lung Cu flag pole, the hamlet is so tiny, it fits within one's peripheral view.
When a visitor comes to the hamlet, all villagers are glad and excited, like they are on a holiday. They present a set of bronze drums, which are considered a symbol of the Lo Lo people's spiritual life. After the bronze drum presentation, the hamlet's artistic group performs songs and dances. Lo Lo dance is a communal activity that reflects the group's working and spiritual life. The attire of Lo Lo women are widely known as the group's unique cultural identity. Lo Lo women weave fabrics with which they make skirts. Although the costumes are usually not for sale, if a visitor is willing to buy, the local women will satisfy their demand. Some visitors have placed orders to have a Lo Lo ethnic costume at a price of 3-4 million VND. The fabrics are often hot colours that go well with silver or aluminium jewellery, hence highlighting the wearer's beauty and charm. Lo Lo men, when searching for their future wives, often evaluate carefully their girlfriends through their ability to make clothing. Nowadays, many Lo Lo women are wearing modern outfits, but their traditional costumes are still a worthy pride of their ethnic group.
Story by Tuan Long – Huu Tuan Photos by An Thanh Dat – Trong Chinh - Dominique de Miscault: dedicated to Vietnam |Since her first visit to Vietnam in 1992, Dominique de Miscault has had a special love for this country and its people. So far she has visited Vietnam 25 times, held 12 exhibitions in Hanoi and Ho Chi Minh City and published the book titled “Hanoi Today”. Dominique de Miscault is a painter, a sculptor and an installation artist. She has organized numerous exhibitions throughout France and other countries in the world. Since 1995 she has held 12 exhibitions in France with notable themes on the life and culture of Vietnamese people, including an exhibition of sculptural works inspired by Vietnamese poems from the 10th century; Places of living and worshipping of the Vietnamese people; Vietnamese people between the earth and the sea; Thick strokes in Vietnamese calligraphy, voice for the residence, colour for songs, and more.
Dominique’s house at No. 68 on Italia Avenue, Paris has become a familiar meeting place for AAFV members as well as artists, politicians and researchers on Vietnam. Now Dominique and Marie Helene Lavallard are the two major editors of the “Perspective France-Vietnam” Magazine. In recent years, Dominique’s artistic and social activities have been closely connected with Hanoi. In 2007 she organized an exhibition of a collection of photographs and documents on President Ho Chi Minh at Ho Chi Minh Museum in Hanoi. In March, 2008 she had an installation exhibition of photographs and illustrations entitled “Among the Meshes” at Exhibition House No. 16 Ngo Quyen Street in Hanoi. In early 2009, Dominique visited the ceramic village of Bat Trang in Hanoi to produce the work “Seven Days of Creation” in an abstractive style and with strong, liberal and contrast colours on a mosaic background. This work is a part of the “Ceramic Road”, an art project to celebrate the 1,000th anniversary of Thang Long – Hanoi. During her 25th visit to Vietnam on March 6, 2009 she held a special photo exhibition entitled “Long Bien – The Bridge of Dreams” at Maison des Arts, 31 Van Mieu Street, Hanoi. The exhibition displayed 70 photographs featuring Long Bien Bridge from different angles, which evoke new emotions from viewers. Through Dominique’s photos the 100-year-old bridge becomes impressive and surreal. With great affection for Vietnam, Dominique de Miscault said: “The people and life in Vietnam is very sincere and open so the good and the bad can be easily seen. The Vietnamese people are tolerant and altruistic”.
Story by Tran Tri Cong Photos by Hoang Ha - Hoe Nhai Pagoda with a Strange Statue |Hoe Nhai, also called Hong Phuc, is one of the large ancient pagodas in the Thang Long Citadel. The Pagoda was built under the Ly Dynasty (1010-1225) on an area of 3,000m2 on present-day Hoe Nhai Street, Hanoi. The space of the Pagoda is shaded by areca and lush green Bodhi trees.
The Pagoda consists of two worshiping houses, each having five compartments, a sanctum with three compartments and an ancestor-worshipping chamber with seven compartments. Standing on the Pagoda’s ground are two three-storey towers and two large stone steles among 28 steles inside the Pagoda. A stele was built in the 24th Chinh Hoa Year (1703) under the Dynasty of King Le Hy Tong (1676-1705) and clearly noted by Doctor Ho Tong Muc that the Pagoda’s location was in Hoe Nhai Ward in Dong Bo Dau (the East Wharf). The Pagoda has now retained a bronze plaque, 1m high and 1.5m wide cast in the Year of the Tiger dated to the 3rd Long Duc Year (1734) under the Dynasty of King Le Than Tong (1619-1662), a bronze drum cast in the Dynasty of King Tu Duc (1848-1883) and a series of statues made from precious woods and fumigated bronze. Each statue has its own artistic value, lively depicting the portraits of new-born Sakyamuni, Amitabha Buddha and Avalokitesvara Bodhisattva, particularly Senior Monk Thich Duc Nhuan who glorified the Vietnamese Buddhism in the 20th century. However, the most salient characteristic of the Pagoda is the statue of Buddha sitting on the back of a prostrating king. It was said that the statue was sculpted in accordance with the legend of a king voluntarily prostrating to be the bed for Sakyamuni to sit to preach. According to the legend, King Le Hy Tong (1675-1705) applied a draconian code of ethics to Buddhism. Therefore, Most Venerable Chan Dun – the second Senior Monk in Hoe Nhai Pagoda, wrote a petition then put it in a casket to submit to the King. He said that there was a germ in the casket. When the King opened the casket, he did not see the germ but see a petition writing that the Le Dynasty (1428-1527) ruled the country for a long time thanks to Buddha’s assistance and protection. Then, King Le Hy Tong gave out an imperial decree showing his penitence and changed the policies on Buddhism. With its artistic and religious value, Hoe Nhai Ancient Pagoda attracts a large number of visitors. Story by Vinh Hung - Photos by Hoang Giap - Ha Dong Festival: September 26- November 1 (lunar September 9-15) |
Time: September 26 - November 1 (lunar September 9-15) Place: Thuy Son Commune, Thai Thuy District, Thai Binh Province Feature: The festival is dedicated to the mother of King An Duong Vuong (257-207 BC). During the festival, the villagers hold a procession with dances and drum beating from the Holy Mother Temple to the communal house in the day time and flower and incense offering ceremonies in the evening. The festival also includes games such as chess playing, wrestling, cock-fighting, duck-catching, swimming, etc. By Thuong River |Bac Giang – the mid-land region well-known for cultural, historical and human beauties and traditional crafts – has seen big changes and developments over the years.
Land of farms and orchards Not only the native land of peasant-turned hero De Tham, the historical Yen The District is also a concentration of cultural, historical and human beauties, and the origin of Thuong River that cuts through Bac Giang Province. Currently, areas well known for fruits like litchi-rich Luc Ngan and other perennial industrial crops are expanding to 45,000 ha together with fields yielding up to VND 50 million (over USD 3,000) per ha annually. Nearly 1,700 farms have mushroomed in the province, bringing about visible changes to the life of Bac Giang locals. It is not rare to see farm owners earning hundreds of million of Vietnamese dong per year. In 1999, Ninh Tuan Khang in Tien Thang Commune, Yen The District, spent his last penny to buy eight hills with a combined area of over 10 ha, and shed sweat to cultivate litchi and rear fish in the farm. His efforts have fruited with an annual income of hundreds of millions of Vietnamese dong per year and a farm of over 20 ha on 19 hills, Khang is now known as one of the richest and the most successful farm owners in the province. His products are seen in markets in various provinces all over the country. In the middle of the hills is a large lake, and in the middle of the lake is a litchi islet. Land of traditional crafts Along Thuong River is also a concentration of traditional crafts typically of Bac Giang Province. Liquor from Van Village, Van Ha Commune, Viet Yen District, processed from the best sticky rice of the North together with tens of medical herbs, has become a must-have offering during festivals and the traditional Lunar New Year. The commune is described as a cradle of Vietnam's ceramics, with the history of the craft being dated back to the 14th century. Not only known for their colours and shapes, ceramic products here are highly resistant to high humidity in the North, and favoured by old peasants as containers of seeds. Only 10 km from Bac Giang City, the rattan-and-bamboo-wickering Tang Tien Village in the commune of the same name takes pride of the history of the craft which dates back 300 years. The craft is so highly efficient that it has driven agriculture into the position of a sideline. Established in 1999, Tang Tien Cooperative has provided jobs to over 5,000 workhands. Every year, millions of household products made from locally available bamboo and rattan are sold in the domestic market and to Japan, Taiwan and the United States.
Bac Giang City The young Bac Giang City is located on the banks of the romantic Thuong River. Right in the suburbs of the City is Bac Giang Ceramics Joint-Stock Company which is trying to restore and preserve the "soul" of Tho Ha ceramics. As busy as a potter, Pham Ninh Quang is described as a director wholly devoted to the craft. On the basis of the remnants of the former Song Thuong Porcelain Factory, Quang and others decided in 2002 to join hands in restoring Tho Ha ceramics, known for its emeralded and emeraldless products. After months of research with help from artisans in Tho Ha Village, they are now successful in exporting their products to foreign countries.
The Dinh Tram Industrial Park has an important role to play in the growth of Bac Giang. By now, the zone has seen 30 investment projects licensed, eight under construction and five operational. Ly Thieu Hung, General Director of Hoa Ha Vietnam Company, a 100-percent Chinese-invested enterprise specialized in the production of plastic utensils and packs, revealed that the decision to select Bac Giang as the investment site was prompted by its advantages in terms of traffic, human resources and incentive policies. Those favourable conditions and the flexible application of the policies have attracted both domestic and foreign investors. The industrial production and services by the City has made a considerable contribution to the visible growth of the province. In the 2001-2005 period, the average annual growth rate of industry is 2.5 times that of 2000. Those changes will help Bac Giang advance further on the way to growth as the human potentials here are so huge. The well-educated young generation will create a strength for Bac Giang people in achieving their major goals and beautifying their historical land.
"Litchi is our hunger-eradicating and poverty-reducing crop for over the past ten years. All the households in the district plant litchi and, as a result, we have been able to bring the rate of the poor households in the district down to 12.9 percent from 43 percent five years ago," said Luong Quang Dong, Deputy Secretary of the Party Committee of Yen The District. Story: Vuong Mo - Photos: Van Chuc, Viet Hung, Trong Chinh
News for Friday 18 September, 2009
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